Communication theory: Tseh 85 analysis

Tseh 85 is a bakery chain based in St. Petersburg that was founded in 2016. The brand was born from the idea of creating a cozy neighborhood bakery that people would want to visit every day. The first location opened at Lensoveta Street, 70; by the end of 2016, there were 9 locations, and by the end of 2017, 25. Today, Tseh 85 is a chain of over 170 bakeries in St. Petersburg, Moscow, Omsk, as well as the Moscow and Leningrad regions.

From the very beginning, Tseh 85 has stood out from its competitors by completely rejecting off-the-shelf products and purchased components in favor of its own production, meticulously planned down to the smallest detail. The focus has been on manual labor and the use of modern technologies, as well as maintaining the quality of taste.  The brand is known for its bold communication, sincerity, and freedom from prejudice, as expressed in their slogan "The freedom to not take life too seriously”. On one hand, the brand’s archetype is the fierce Outlaw, while on the other, it’s the Everyman — someone who resonates with a broad audience.

Tseh 85 actively uses VK, Telegram, Instagram* and other digital platforms to communicate with its audience. The brand maintains a strong presence on social media, where it regularly publishes both promotional and entertainment content. Memes, viral trends, and short-form videos are widely used, making the brand’s communication feel relatable, engaging, and relevant to younger consumers. The company’s PR strategy focuses on audience engagement through promotional campaigns, discount codes, and limited-time offers. Tseh 85 also launches themed products tied to holidays, cultural events, movie releases, and popular online trends. These limited editions help attract attention from both Gen Z and Millennial audiences while reinforcing the brand’s image as current and culturally aware. A key characteristic of the brand’s public communication is its light-hearted and humorous tone. Rather than relying on formal corporate messaging, Tseh 85 adopts a friendly, playful voice that strengthens emotional connections with customers and helps build a loyal online community around the brand.

*Instagram is owned by Meta, an organization recognized as extremist and banned in Russia.

Our analytical lens is based on two theories. The first one is the Impression Management Theory by Goffman. It examines hidden signs and metaphors that are not conveyed directly through what is said, but rather through the audience’s interpretation of specific cues that shape their perception of the brand. We will look at how Tseh 85 creates its social identity and will focus on how the brand “gives off” symbolic parts of it. What specific keys and clues from the target audience do they pay attention to in order to become closer to them? Who they are trying to build empathy and alikeness with? And most importantly, how are they doing it?

The second theory, the Uses and Gratifications Theory, will help us analyse brand from the prism of their TA’s needs and goals in consuming content. What helps the target audience to find it in a sea of alternatives? Why are they choosing Tseh 85? What needs do they satisfy in communication with the brand? We will also use the Narrative Paradigm to analyse not only the hidden messages that the brand sends to the audience with it’s identity, but also which values are embedded in that message, how it’s overlap with the audience worldview, and how it helps Tseh 85 build an effective communication with people.

Let’s have a look on particular elements of the brand’s communication. The analysis is organised according to the main communication touchpoints through which consumers encounter the brand. This approach allows us to examine how Tseh 85 constructs its identity across different levels of interaction with the audience.

Back in 2024, Tseh 85 underwent a rebrand. What’s interesting is the way it was presented: they created banners and posters bearing the slogan «не ребрендинг, а шляпа какая то» (“not a rebrand, but some kind of joke”). This was a playful nod to the audience’s likely scepticism regarding the shift from the old, familiar design to something new. First, the audience sees a provocation in the form of a joke about a possible reaction, and only then is it introduced to the rebranding itself. Mostly it was not the announcement of the design change that really mattered, but the shift in the emotion and brand positioning. So, the rebranding campaign was structured as a story rather than a traditional announcement. Through conflict, suspense and eventual revelation, Tseh 85 engaged consumers in a narrative process that encouraged active interpretation and participation.

The central visual metaphor underlying the new style is the concept of mass production. Illustrations and photographs of menu items are arranged in a pattern that resembles an assembly line in a factory. This helps create strong associations with the bakery’s name and draws the customer’s attention to the quality standards maintained. The predominantly red color palette is accented by a bright pink hue and several muted background shades. This new rebellious direction is emphasized by provocative photographs in the brand’s visual communications, as well as the use of graffiti-style effects in the illustrations. The conveyor belt concept is also reflected in the typography: the brand’s copy is arranged in a conveyor belt pattern, which is used on cups, boxes, and wrapping paper.

Launching desserts and drinks linked to current events, films or online trends (for example, eclairs associated with characters from a popular series “Euphoria”, that was in a process of releasing at a time) helps the brand tap into the news cycle and attract additional attention from its audience. Such products create a sense of novelty and limited availability, which stimulates interest and encourages impulse purchases. Furthermore, themed new products are more likely to be discussed and shared on social media, increasing the brand’s organic reach. This allows Tseh 85 to maintain its image as a modern bakery that responds quickly to cultural events and the interests of its audience.